Field Trip: How It Is

Tenth commission in The Unilever Series, Miroslaw Balka's new work opens today in the Turbine Hall at Tate Modern in London and runs till 5 April 2010.

How it is, is only complete when you, the viewer, enter.

-- Curator's Introduction (Flash interactive exploration) (link)

The title, How It Is, is taken from Samuel Beckett's novel of the same name and Balka said the piece should be seen as being about everything and nothing. "There is no one single direct inspiration for the piece and the words of the artist are not so important. The work is important. It is good or bad. It works or it does not work."

-- Mark Brown, guardian.co.uk (link)

More information at Tate Modern (link)

Miroslaw Balka bio at White Cube (link)

Field Trip: John Baldessari

John Baldessari's Six Colorful Inside Jobs 1971

Q To some degree would you say that Baldessari’s work is like an encyclopedia of maleness?

A Hard to say no to that question. I’d say that’s one of the bigger yeses in the history of answers.

Q To use or misuse the regularly bastardized word, does he deconstruct the male? 


A How could he not?

Q Does Baldessari’s gaze around and through the male gaze render a double-dude staredown? 


A Affirmative. There’s a German phrase for it.

Q Wissenschaftler der mannlichen Schwierigheit?

A Scholar of male complexity.

-- Benjamin Weissman on John Baldessari, in 'Men Swallowing Swords, Men Blowing Out Candles" frieze 126 (link)

John Baldessari talks to Jessica Morgan (curator of his upcoming retrospective at Tate Modern) in TATE ETC 17 (link)

John Baldessari: Pure Beauty at Tate Modern 13 October 2009 till 10 January 2010 (link)