Showing posts with label color. Show all posts
Showing posts with label color. Show all posts

Tuesday, November 17, 2009

Field Trip: Michael Snow

Michael_Snow_Place_des_peaux_1998
Michael Snow Place des peaux 1998, 34 wood frames with gelatin, lighting, 15,45 x 5,75 cm, Biennale de Montréal, 1998; Musée des beaux-arts de Montréal, Photo: Guy L’Heureux (source)


Michael Snow Wavelength 1967, Ontario, 45 min.

The zoom is punctuated by what Snow laconically called "4 human events": a woman directs two men who carry in a bookcase and place it against the left wall of the room; two women come in and listen to the Beatles' "Strawberry Fields" on the radio; a man briefly appears after protracted crashing and glass-breaking noises, wheels around, and drops dead; a young woman comes into the room and makes a frightened telephone call reporting the dead man ("And he doesn't look drunk, he looks dead."). (read more)

On the soundtrack we hear (among many other things) an aural equivalent to the zoom lens shot(s), a sine wave which goes from its lowest note (50 cycles per second) to its highest note (12000 cycles per second). (read more)

Michael Snow (link)

Tuesday, September 29, 2009

Field Trip: John Baldessari


John Baldessari's Six Colorful Inside Jobs 1971

Q To some degree would you say that Baldessari’s work is like an encyclopedia of maleness?

A Hard to say no to that question. I’d say that’s one of the bigger yeses in the history of answers.

Q To use or misuse the regularly bastardized word, does he deconstruct the male? 


A How could he not?

Q Does Baldessari’s gaze around and through the male gaze render a double-dude staredown? 


A Affirmative. There’s a German phrase for it.

Q Wissenschaftler der mannlichen Schwierigheit?

A Scholar of male complexity.

-- Benjamin Weissman on John Baldessari, in 'Men Swallowing Swords, Men Blowing Out Candles" frieze 126 (link)

John Baldessari talks to Jessica Morgan (curator of his upcoming retrospective at Tate Modern) in TATE ETC 17 (link)

John Baldessari: Pure Beauty at Tate Modern 13 October 2009 till 10 January 2010 (link)