Thursday, November 12, 2009

Friday 13 Nov, 4-6PM SLT (7-9PM ET): You Are Invited: Brooklyn is Watching: Push!

Where doors and walls are made of mirrors, there is no telling outside from in, with all the equivocal illumination.

-- Walter Benjamin
The Arcades Project (link)

An Invitation

Who: You

What: Brooklyn is Watching Re-opening Party

When: Friday, 13 November 2009, 4-6 PM SLT (7-9 PM ET Brooklyn Time)

Where: Inworld @Soup:Push SIM, Second Life® (SLurl)

Where else: Jack the Pelican Presents Gallery, Williamsburg, Brooklyn (link)

How: Dance to tunes spun by DJ Nostrum Forder and come prepared for PRIM (Possible Random Improv Mayhem)



6 November 2009: Thanks to the capable efforts and organization of Misprint Thursday, a meeting was held on Push during which many important things were accomplished relating to the move of BiW from its temporary home on University of Kansas:Impermanence to Soup:Push. As you can imagine, coordinating such a meeting is akin to herding cats. Shown are Dekka Raymaker, Mab MacMoragh, Maya Paris, Misprint Thursday, Monet Destiny, Penumbra Carter, Selavy Oh, and Solo Mornington (Short machinima by Penumbra Carter here)


11 November 2009: A screenshot sampling of artwork left on BiW at one frozen moment in time. The work changes continuously and unpredictably in an organically chaotic process and is experienced as it is meant to be experienced by actively participating in it using the Second Life® avatar movement and camera controls. Work shown is by Betty Tureaud, Cheen Pitney, Comet Morigi. Corcosman Voom, DanCoyote Antonelli, Dekka Raymaker, Kat2 Kit, L1Aura Loire, Luka Loorden, Magina Forcella, Marko Seurat, Misprint Thursday, Oberon Onmura, Pol Jarvinen, Rezago Kokorin, Solo Mornington, Sunn Thunders, Suzanne Graves, Werner Kurosawa, and Winry Carver

Brooklyn is Watching
17 May 2009: Monet Destiny interviewed on Tonight Live with Paisley Beebe (link)

Soup and Lovers Lane Studios have held a warm relationship with Brooklyn is Watching (link) since inception, sharing a respect for artists and their choices and inspirations, as well as sharing a fascination with the frontier potential of the virtual environment and tools available in Second Life®. We both recognize that the challenges of working within evolving technologies and the enforced discipline of their limitations serve both to crystallize inherent forms and to incubate ideas and commentary not possible, not yet realizable, or not served so well in other mediums.

Along with the uncountable and inexpressible meanings that Art is invested with as reason for being, a basic mostly-agreed-upon-but-still-hotly-debated-in-pedantic-circles function is that someone experiences it with someone else as part of the shared human condition and thereby forms a mirrored perspective, a bit of a chance connection, ignition and flow. It is this reflected immersive experience/expression (not necessarily the SAME experience for each but one derived from relationship and time, such as found in intervals in music and not in fragmented notes by themselves) that elevates conceptual multiplicities–avatar created and driven worlds–to the level of fellowship, of engagement beyond proprietary platform. This is hard work. This is compelling. This is Art unfolding.

All of which is to say Soup and Lovers Lane Studios are thrilled to welcome Brooklyn is Watching to Soup:Push!

Brooklyn is Watching: Push SIM (Slurl)

Brooklyn is Watching Blog (link)

Jack the Pelican Presents, Williamsburg, Brooklyn (link)

More information about the genesis of Brooklyn is Watching by Bettina Tizzy at Not Possible IRL (link)

More information about Second Life® (link)

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