As Horatio exclaims in Shakespeare's Hamlet: 'O day and night, but this is wondrous strange!'
remembering the future
imagining the past
day 62
Lovers Lane Studios
What appeared to be a question of object/non-object has turned out to be a question of seeing and not seeing, of how it is we actually perceive or fail to perceive “things” in their real contexts. Now we are presented and challenged with the infinite, everyday richness of “phenomenal” perception (and the potential for a corresponding “phenomenal art,” with none of the customary abstract limitations as to form, place, materials and so forth) – one which seeks to discover and value the potential for experiencing beauty in everything.
-- Robert Irwin, Being and Circumstance: Notes Toward a Confidential Art
Arahan and Khamudy discuss what 2011 has in store for Second Life, the New Year resolutions people have been making regarding their online activities, the ongoing difficulties of funding for virtual arts and humanities projects, the arrival of Rod Humble from Electronic Arts as the new CEO of Second Life, the teengrid merger, the end of licensed Frank Lloyd Wright content in SL and the amusing developments of Xbox Kinect hacks.
Amy Freelunch talks about the real-life art market, and ways for artists to use the internet and crowd-sourcing to support their work. She also talks about a few different art sites and what works about them and what doesn't.
Penumbra Carter is joined by guest Chantal Harvey. Chantal talks about her past, present and future machinima and the role music has played in their production. Also discussed are their experiences with the 48 Hour Film Project and Chantal's participation within the Linden Endowment for the Arts (LEA).
I wanted to make a cinema of ideas, not plots, and to try to use the same aesthetics as painting which has always paid great attention to formal devices of structure, composition and framing, and most important, insisted on attention to metaphor. Since film is not painting–and not simply because one moves and the other doesn't–I wanted to explore their connections and differences–stretching the formal interests to questions of editing, pacing, studying the formal properties of time intervals, repetitions, variations on a theme, and so on.
-- Peter Greenaway, quoted in Peter Greenaway's Postmodern/Poststructuralist Cinema by Paula Willoquet-Maricondi
It is one of the most important formal qualities of film that every object that is reproduced appears simultaneously in two entirely different frames of reference, namely the two-dimensional and the three-dimensional, and that as one identical object it fulfills two different functions in the two contexts.
-- Rudolf Arnheim Film as Art